> 產品中心
 
< direction=up scrollamount=1 scrolldelay=50 width=95% height=217 style="padding:0px;line-height:150%" onmouseover=stop() onmouseout=start()>

    成都AG8亚游商貿有限公司成立餘2008年,是一家以器材銷售、工程設計、安裝調試、設備租賃為一體的專業音響銷售工程公司。主要從事演播室、會議廳、歌舞廳、多功能廳、影劇院、體育館的音響設計、安裝調試及設備供應和租賃等業務。

    本公司積極拓展中國市場,在中國大陸西部地區,成都AG8亚游商貿有限公司為甲方客戶提供了一流的設計及安裝調試,並在當地同行業中樹立了典範之形象案例。

Midas M32調音台 數字調音台

 


              

       特性:

              ●  支持AES50網絡,最大充許傳輸96個輸入和96個輸出

              ●  40bit浮點信號處理,開放式的體係結構兼容96kHz的采樣率

              ●  192kHz的數模/模數轉換,提供出色的音頻性能

              ●  調音台外型由Bentley賓利汽車設計師設計

              ●  采用高性能的碳纖維和高強度鋁合金打造

              ●  8個DCA編組,6個啞音編組

              ●  8個立體聲效果處理器

              ●  25個100mm MIDAS PRO電動推子

              ●  7寸TFT彩色“日光”顯示屏

              ●  通過USB 2.0可支持32x32通道的數字音頻傳輸

              ●  通過使用Mackie Control及Hui protocols控製協議,控製數字音頻工作站

              ●  通過無線網絡,可由iphoness/ipads中的MIDAS Apps應用程序進行控製

              ●  自適應的開關式電源

              ●  長達3年的保修計劃

              ●  英國設計和指導

 

   技術參數:

             處理通道

             輸入處理通道:32個話筒輸入通道,8個輔助輸入通道,8個效果返回

             輸出處理通道:16個AUX通道,6個矩陣,LCR母線

             內部效果器(立體聲/單聲道):8/16

             場景文件(場景快照/場景快照列表):500/100

             儲存點(包括處理參數和推子):100

             信號處理能力:40位的浮點處理

             A/D轉換器的動態範圍:24-Bit,114dB(8通道,192kHz)

             D/A轉換器(立體聲,192kHz):24-Bit,120dB動態範圍

----------------------------------------------------------------------------------------------

                    連接器

                    MIDAS PRO係列話筒放大器的輸入接口(XLR):32

                    對講輸入接口:1

                    RCA輸入/輸出:2/2

                    XLR輸出接口:16

                    監聽輸出(XLR/TRS平衡):2/2

                    AUX輸入/輸出(TRS平衡):6/6

                    耳機輸出(TRS):2(立體聲)

                    數字AES/EBU輸出,XLR:1

                    AES50端口(KLARK TEKNIK SuperMAC):2

                    擴展卡接口:32個音頻通道輸入/輸出:

                    ULTRANET P-16個人監聽連接口(無源):1

                    MIDI輸入/輸出:1/1

                    USB插口(用於音頻和數據傳輸):1

        ----------------------------------------------------------------------------------------------

                    MIC輸入(MIC輸入到模擬輸出)

                    THD N(0dB增益,0dBu的輸出):<0.01%未加權

                    THD N(40dB增益,0dBu的 20dBu的輸出):<0.03%未加權

                    輸入阻抗(不平衡/平衡):10KΩ/10KΩ

                    最大輸入電平: 23dBu

                    幻象電源(每個輸入通道): 48V

                    等效輸入噪音@ 45dB增益(150Ω):-125dBu 22Hz-22kHz 未加權

                    共模抑製比@增益單位(典型值):>60dB

        ----------------------------------------------------------------------------------------------

                    輸入/輸出特性

                    頻率響應:48kHz的采樣率,0dB到-1dB:10Hz-22kHz

                    動態範圍,模擬輸入及模擬輸出(典型值):106dB

                    A/D的動態範圍,話筒放大器和換能器(典型值):109dB

                    D/A的動態範圍,換能器和輸出(典型值):109dB

                    串擾抑製@1kHz,相鄰通道:100dB

                    XLR連接器輸出電平(常規/最大值): 4dBu/ 21dBu

                    XLR連接器輸出阻抗(不平衡/平衡):50Ω/50Ω

                    XLR連接器輸入阻抗(不平衡/平衡):20kΩ/40kΩ

                    最大輸入電平,TRS接頭: 21dBu

                    TRS輸出級別(常規/最大值): 4dBu/ 21dBu

                    TRS輸出阻抗(不平衡/平衡):50Ω/50Ω

                    耳機輸出阻抗/最大輸出電平:40Ω/ 21dBu(立體聲)

                    輸出1-16XLR插頭底噪水平:-85dBu 22Hz-22kHz 未加權

                    1-16XLR插頭輸出底噪水平:-85dBu 22Hz-22kHz 未加權

                    TRS監聽輸出到XLR連接器底噪水平:-83dBu 22Hz-22kHz 未加權

       ----------------------------------------------------------------------------------------------

                    顯示

                    主顯示器:7"TFT液晶顯示器,800x480分辨率,26萬色

                    通道液晶屏:128x64分辨率背光液晶顯示器,RGB顏色

                    表頭:24段(-57dB to Clip)

       ----------------------------------------------------------------------------------------------

                    電源

                    開關電源:自適應100-240VAC(50/60Hz)

                    功率消耗:120W

       ----------------------------------------------------------------------------------------------

                    物理參數

                    尺寸:891 x 607 x 256mm

                    重量:24.5kg

 

Midas PRO1調音台 數字調音台

 

MIDAS PRO1

 MIDAS PRO1

MIDAS PRO1  Front

 

MIDAS PRO1

MIDAS PRO1 rear

 

產品介紹 PRO1是MIDAS數字調音台的最新突破之作,采用最新設計的輕型鋁合金框架,是MIDAS的第一款“單機操作”數字調音台,並且為“緊湊型”數字調音台樹立了便攜與性能相融合的新標準。
PRO1易於設定和操作,初次接觸MIDAS數字調音台的音響師也能輕鬆上手,享受PRO1“采樣率同步”技術所帶來的高品質音色,做出理想的混音效果。
熟悉MIDAS數字調音台的音響師可以直接加載之前的show文件到PRO1 - 無需理會這些show文件是哪個型號的MIDAS數字調音台創建的,即刻投入工作中。
PRO1除了40個可控全處理輸入通道,還有8個輔助返回通道,都帶有4段MIDAS參量EQ和插入點。這8個輔助返回通道可以用於PRO1的內部效果器返回,或作為話筒輸入通道 - 如果係統網絡內有足夠的I/O硬件的話。
總數為48的輸入通道可路由分配至27個混音輸出母線。這些混音母線包含16個用戶自定義的輔助(aux)母線 - mix(輔助輸出)、group(編組輸出)或mix minus,8個matrix(矩陣)母線。矩陣母線直接源於輸入通道或編組,並且能變身為額外的8個輔助母線(返送混音母線和效果發送),由此用作返送調音台時,總共提供24個混音母線(外加L,R,Mono主輸出)。除了Mono外的全部母線都可以立體聲連接。
如同MIDAS的其它數字調音台一樣,內部音頻接線能夠路由至多個音頻接口終點,並且內部音頻接線的配置可以是基於場景(scene)的。 產品特性 在音頻網絡內,100輸入 x 102輸出(最大容量)任意的直接點對點路由
• 24 Mic/Line輸入,MIDAS話放

• 40可控全處理輸入通道,8輔助返回通道

• 24模擬輸出(包含本地兩組立體聲監聽輸出)

• 3(立體聲對)AES3輸出

• 2(立體聲對)AES3輸入

• 27母線,采樣率同步,相位一致

• 6台多通道效果器

• 28通道KLARK TEKNIK DN370 31段GEQ

• 15”強光型高亮液晶顯示屏

• 8 VCA

• 6 POP編組

• 96k,40bit浮點處理

 

PRO1 Overview
The PRO1 breaks new ground for MIDAS digital consoles, featuring an all-new, lightweight aluminium frame and field-replaceable power supply. PRO1 is the first stand-alone MIDAS digital console and sets new standards of portability and performance for a compact digital console. 

PRO1 is easy to configure and operate. Engineers who are new to MIDAS digital can relax, enjoy the PRO1’s sample-synchronous audio quality, and mix from well within their comfort zone. Engineers already familiar with MIDAS can just load their existing show file straight into the PRO1, regardless of which MIDAS digital console it was created on, and carry on working.

PRO1 is a standalone mixing system, having 24 MIDAS mic inputs on the rear of the frame. The 3 AES50 ports can be used to increase the mic input count up to 96 by connecting additional hardware.

In addition to the PRO1’s 40 primary input channels, PRO1 also features 8 aux returns, all of which feature 4-band MIDAS parametric EQ and insert points. These 8 aux returns can be used as returns for the PRO1’s internal FX processors, or as additional mic channels, if sufficient mic inputs are available on the I/O hardware. 

A total of 48 input channels have free routing to 27 phase-coherent mix buses, which comprise 16 user-configurable buses (mixes, subgroups or mix minus groups), and 8 matrix buses. The matrix buses source from inputs, as well as groups, and so can be used as 8 additional aux mixes (monitor mix and FX sends) which provides a total of 24 mixes (plus L, R & Mono) for monitor mixing duties. All buses can be linked as stereo pairs (except the mono bus). 

As with all MIDAS digital consoles, the audio paths can be routed to multiple destinations and the console format can be reconfigured live on a scene-by-scene basis.

• 3 x 96 kHz AES50 ports, providing an additional 72 inputs and 72 outputs
• 24 integral mic/line inputs with MIDAS mic preamps
• 48 simultaneous input processing channels
• 24 analogue outputs (including 2 stereo local monitor outputs)
• 3 AES3 outputs
• 2 AES3 inputs
• 27 sample-synchronous, phase-coherent mix busses
• Up to 12 multichannel FX engines
• Up to 28 KLARK TEKNIK DN370 31-band Graphic EQs
• Full-colour 15" daylight-viewable display screen with DVI out
• 8 VCA (Variable Control Association) groups
• 6 POPulation groups
• 96 kHz 40-bit floating-point processing throughout
• Field-replaceable power supply
 
 
MIDAS PRO1

 MIDAS Audio Quality

The MIDAS reputation for fantastic audio quality has evolved over 40 years of development and research.

By continuing to design the world's best live sound mic preamps through use of superior components, MIDAS has carried this tradition into the digital realm. Adding the best converters and custom processing algorithms to the mix, MIDAS takes audio quality to another level.

A major problem affecting many digital consoles is a lack of attention to delay management. All digital processing takes time to run.

Mix engineers working on analogue consoles routinely combine signals with different signal paths and processing, and expect to do the same with digital mixers. On most current digital consoles, combining signals in this way leads to the summing of signals that are partly out of phase. MIDAS digital systems are the only live sound systems in the world to have a comprehensive and automatic latency management system. Which, in addition to managing all internal routing and processing latency, also includes compensation for additional A/D & D/A conversions required when connecting external analogue inserts. This means that all audio samples are synchronised before summing, resulting in absolute phase coherency at all outputs.

MIDAS digital consoles feel, as well as sound superb. All the variable controls on the console are genuine analogue high-precision potentiometers, not mechanical encoders. These access the processing algorithms through precision instrumentation A/D converters, and MIDAS I/O and DSP units can be freely distributed into multiple locationss. In particular, I/O units can be placed exactly where they are needed.

Every transition of a network adds delay. MIDAS AES50 networks have only 70 microseconds of latency per hop, so even a multi-hop routing has negligible aggregate delay (latency), making it perfect for in-ear monitoring. All inputs and all outputs are time-aligned to sample accuracy, no matter where they are in the network or how they are routed. This is another major contributor to the performance of a MIDAS digital console and that magical MIDAS sound.

Over 40 years of audio mixing console development and research
Comprehensive and automatic latency management system including compensation for external analogue inserts
MIDAS custom interpolation algorithms
Comprehensive automatic time alignment
KLARK TEKNIK's SuperMAC implementation of AES50 for incredibly low 70 microseconds of latency per link
 
 
MIDAS PRO1
 Ergonomics
Display screen
 
The high-resolution screen remains visible even in direct sunlight. In this aspect, the MIDAS’ visual support is exceptional, as most conventional consoles become difficult, or impossible to operate in high ambient lighting.
 
The screen provides visual feedback for the entire system. Pressing the HOME key (just to the left of the assignable controls) instantly displays the console overview screen, which keeps all vital information (all metering, all fader positions, mutes and solos) in view at all times.
 
Detail panel area
 
The detail panel is a vertically oriented channel strip, with an almost identical layout to the PRO2, 3, 6 and 9. The controls are configured in a logical, signal-path sequence and are easily identified by their relative positions. Both analogue users and digital adopters will find no difficulty using the large multi-colour LCD channel select buttons for navigating the console.
 
 
MIDAS PRO01
Mic Pres
The MIDAS microphones preamp is the one by which all others are judged. Still built from discrete components, and still based on the designs which were so successful in the legendary MIDAS analogue consoles such as the XL3, XL4 and Heritage, the current expressions in the XL8 sound better than ever.

Whether you want pristine, transparent reproduction, or that renowned MIDAS warmth and colouration, MIDAS’ dual (analogue and digital) gain stages enable you to shape the mic preamp's character according to your own preference. All MIDAS digital consoles feature two input gains per channel. First is the remote analogue gain for that wonderful MIDAS mic preamp, and the second is a digital trim. Set the analogue gain for the desired amount (if any) of that famous MIDAS “warmth”, then use the digital trim to achieve your preferred gain structure.

Unique MIDAS sound
Based on MIDAS’ legendary analogue mic preamps – XL4, XL3 and Heritage Series
Both analogue and digital gains
 
 
 
 
MIDAS PRO1
 
 VCA and POPulation
With the advent of digital technology, channel counts and processing features have grown to a point where it is no longer practical to have all controls physically available at the same time. Additionally, the logistical advantages of smaller control surfaces are becoming increasingly attractive. MIDAS’ unique approach to solving this problem is to mirror the natural work flow used by mix engineers and to provide control and supporting feedback of system status at all levels, from the highest overview to the finest detail. This encourages the development of a mental picture, or “Mind Map”, of the whole system, even though focus may only be required on limited, specific functions.

For example, channels by default are not layered but scrolled. By being scrolled, the console displays act as a window onto the available channels in the system and allow you to think of the channels in a simple linear progression, rather than forcing you to remember which layer contains the channels. This scrolled format brings the console to you, rather than forcing you to search for specific elements. 

But this is only the beginning. 

At the heart of MIDAS console navigation are the VCA and POPulation groups, which provide primary access to multiple channels (typically grouped into related clusters by mix engineers). To access all the channels belonging to any of the VCA or POP groups, merely press the select switch. Selecting a VCA or POP group will bring all of the members of that group to the designated area of the control surface, populating from the VCA area outwards. If the group has more members than visible channels, the group can be viewed by scrolling the input bay. This work flow is applied to every area of the console, ensuring consistent ease-of-use and appropriately fast access to all controls.

To help further improve the “Mind Map”, live sound engineers have typically used colour when navigating mixing consoles by applying different-coloured adhesive tape and swapping coloured fader knobs to help make console navigation faster and more intuitive. MIDAS have taken this established principle of channel recognition and applied it to VCA and POPulation groups with assignable colour coding and digital write-on buttons. 

VCA and POPulation groups both have assignable colour coding and digital write-on buttons
VCA Groups allow access to all the channel faders belonging to any of the VCA groups at the press of a switch
POP (POPulation) groups can contain any combination of channels that you want to access instantly at the press of a switch
VCA and POP Groups encourage the development of a mental picture, or “Mind Map”, of the whole system
Selecting a VCA or POP group will bring all of the members of that group to you, rather than you having to go looking for them
Input channels can be viewed either by scrolling the input faders or by pressing the EXTEND button, which will populate the VCA faders with additional members of that POP group
 
 
 
MIDAS PRO1
Equalisation
MIDAS digital EQ features fully-interpolated controls, which recreate the original phase shift as experienced when working on the world's best-loved analogue consoles. 

Each input channel has 4-band parametric EQ, with a choice of 4 different filter types for both the high and low filters. These powerful EQ options enable the user to employ EQ filters which emulate the sound of historic MIDAS consoles or to choose advanced digital filter types, freed of the limitations of analogue circuitry.

Fully interpolated controls
4-band parametric EQ
4 different filter types
 
 
 
MIDAS PRO1 Dynamics Processing
Dynamics Processing
The dynamics processing on the PRO1's input channels is identical to the much-acclaimed MIDAS XL8. Each input channel features a frequency-conscious gate and a choice of 4 different compressor algorithms. Further creative expression are available, as all 4 compressor algorithms feature variable knee, internal and external side-chain filtering, and colouration artefact options.

Output (bus) compression offers a choice of 5 different options. These 5 compression algorithms are designed to provide the engineer with a broad pallet of options for maximum creative potential, right down to the visual display on the screen changing to support the different styles. More dynamics processing options are available in the PRO1’s FX rack, including multi-band compression and dynamic equalisation.

XL8 dynamics processing
4 different input compressor algorithms
5 different output compressor algorithms
A wide choice of dynamics processing
 
 
 
MIDAS PRO1 FX
FX
The cutting-edge 40-bit floating-point DSP processing hosts a wide choice of virtual FX devices, which range from dual-stereo delay units, stereo modulation and many diverse reverb FX, to multiband compression, dynamic EQ and multichannel dual-function dynamics processing.

All FX processors are custom-designed to function within the MIDAS automatic latency compensation system. This ensures a phase-coherent, sample-accurate mix regardless of whether the FX devices are used as channel inserts or on a send-and-return basis.

In addition, delay FX can be individually configured to synchronise to the XL8 button. This synchronization makes on-the-fly changes to delay effects simple and painless.

40-bit floating-point audio processing
Custom-designed FX processors
Internal FX processors operate within MIDAS’ automatic latency compensation
 
 
 
MIDAS PRO1 Surround Sound
Surround Sound
In addition to normal stereo and SIS (Spatial Image System) operation, the console can operate in one of three surround sound modes:
Quad 4-Channel – L-R front plus L-R rear
LCRS 4-Channel – L-R-C plus single rear channel
Quad 6-Channel – L-R-C plus sub plus L-R rear
All three surround modes feature a divergence control to tailor the depth of the surround panning. Dynamic surround panning can be implemented using the consoles trackball, or the USB pointing device of your choice.
 
 
 
 
MIDAS PRO1 Navigation Mode
Navigation Mode
There are 4 modes of channel and mix bay navigation: FLIP Navigation, FX Navigation, GEQ Navigation, and MCA Navigation. These 4 options allow an engineer to easily and efficiently mix a large number of inputs on a compact control surface.

FLIP Navigation

When in FLIP navigation mode, and the FLIP button is engaged, selecting an output flips the input faders to become the input channel send levels to the selected output. The console will only populate with the input channels that are assigned to the selected output.

FX Navigation

When the FX navigation button is engaged, selecting an output which is patched to an internal FX processor, this mode will deploy that FX processor on the display screen and map the ASSIGNABLE CONTROLS to the FX processor. If FADER FLIP is also engaged, the input channel faders will become the contributions to the FX processor. If COLLAPSED FLIP is selected, the operator will only be presented with input channels that are sending to that FX processor.

GEQ Navigation

When the GEQ navigation button is engaged, selecting an output which has a GEQ assigned, this mode will present the GEQ on the VCA faders. Scrolling the VCA faders left and right will provide access to all 31 GEQ faders. If FADER FLIP is also engaged, the input channel faders will become the contributions to the selected mix. If COLLAPSED FLIP is selected, the operator will only be presented with input channels which are sending to that mix.

MCA Navigation

If the MCA navigation button is engaged, when an output (mix) is selected, the MCA faders for that output will be deployed on the VCA fader bank. When in Advanced navigation mode and MCA navigation is engaged, the MCA faders control the contributions of their members only to the currently selected bus. This is a unique and powerful mixing tool, which puts MIDAS in a class of its own for innovation and usability.

Total Flexibility

This navigation flexibility makes working with the console as simple as requirements dictate, or as deep and complex as a user desires. To further illustrate the concept, think of multilayered 3-D VCAs, or a mixing console with a bank of VCAs for each input! Both are valid starting points.

This workflow approach applies to every area of the control surface, ensuring ease of use and appropriately-fast access to all controls.
 
 
 
MIDAS PRO1 Automation
 Automation
One of the most critical requirements for theatre applications is the power and flexibility of console automation. The MIDAS PRO1 has taken into consideration these very specific requirements, and features the same automation software as the XL8, which is itself no stranger to Broadway! 

The PRO1’s automation system can store and recall up to 1000 snapshot scenes. These contain the audio parameter values for every control on the console as well as the network routing, configuration of the FX rack, and the format of the mixer itself, all of which is scene-specific. 

Hardware automation “safe” buttons are provided to enable the operator to quickly isolate selected processing areas from recall should this be required during a performance. In addition to these isolation functions, the store and recall of scenes can be “scoped” such that only the areas that the operator wants to store or recall are affected (all other controls remaining in their current state). 

Channel settings can be edited in advance of recall – across all scenes – from the SHOW EDITOR screen, and scenes can be re-ordered, inserted and deleted, simply and quickly, without overwriting their designation. Scenes can be recalled instantaneously, with no discernible drop in audio, or via complex crossfade options, including programmable surround-sound panning events.

MIDI input and outputs are provided, for control of external MIDI devices, or for recalling console events from an external MIDI source. All software versions, including stored shows on a USB stick, are both forward and backward compatible, i.e. a show created on one PRO1 can be loaded into another MIDAS console regardless of the software version on either system. PRO1 show files are also compatible with all other MIDAS digital console systems.

1000 snapshot scenes
Scene-specific routing
Scene store and recall can be ''scoped''
MIDI inputs and outputs provided
Software versions forward and back ward compatible
Show files compatible with any MIDAS digital console
 
 
 
 
MIDAS PRO1 Patching
Patching 
The PRO1 employs technology developed from the class-leading XL8 console and offers the same exemplary sample-synchronised audio performance.

PRO1 has up to 100 inputs x 102 outputs, with point-to-point routing anywhere within the network which can then be patched and routed on a scene-by-scene basis via a powerful snapshot automation system.

100 inputs x 102 outputs (max. capacity), point-to-point routing anywhere within the network
24 mic / line inputs with MIDAS mic preamps
Up to 48 simultaneous-input processing channels
24 analogue outputs (including 2 stereo local monitor outputs)
3 AES3 outputs
2 AES3 inputs
27 sample-synchronous, phase-coherent mix buses
 
 
 
MIDAS PRO1 Third Party System Integration
Third Party System Integration
The MIDAS XL8 range and PRO Series systems incorporate several special features to aid real-world integration with other important sub-systems.
 
The MIDAS HyperMAC digital snakes, both Cat 5e and fibre optic versions, feature additional bandwidth for third party data transfer. Protocols supported include standard Ethernet traffic, MIDI messages and GPIO (General Purpose Input and Output signalling). This third party support offers great advantages because it avoids extra cables, extends the range of MIDI a long way beyond normal limits and provides an Ethernet tunnel between the stage and the mix position.
 
The Ethernet tunnel provides a 10 Mbit/sec standard Ethernet connection from an etherCON RJ-45 connector on the control surface to a similar connector on the stage router unit (DL461 for the XL8, DL371 for the PRO3, 6 and 9) for use by third parties. Applications include carrying control signals from any network-equipped computer at FoH to a radio mic receiver rack on stage and similarly, control signals from a computer to a system controller on stage. External standard Ethernet network hubs can be used to connect many different systems together via the MIDAS HyperMAC snake, which also provides redundancy in case of cable damage.
 
MIDI messages and GPIO (contact closure) signals can be sent and received by the MIDAS Console Automation System to local I/O at the console position and remotely to MIDAS I/O devices which can be 500m away.
 
The XL8, PRO3, 6 and 9 control surfaces incorporate a KVM switch (Keyboard – Video – Mouse). This switch allows one screen on the control surface plus the keyboard and trackball to be switched to one of three external computer connectors. This is a great way of reducing “clutter” at the control surface position. A control surface screen, keyboard and trackball can be used to control up to three other systems where the computers are placed out of harm’s way. These external systems, such as ProTools*, Waves* Multi-Rack, Shure* UHF-R radio mics and Dolby Lake* System Controllers, then appear on a MIDAS control surface screen and are controlled by the surface keyboard and trackball.
 
* All trademarks acknowledged.
 
This video covers use of third-party plugins on MIDAS digital audio consoles.
 
 
 
 
MIDAS PRO1
Weights and Measurements
PRO1 is built around a road rugged lightweight aluminium frame:
Width 685.2 mm x Depth 722.1 mm (27” x 48.4”)
Weight: 21.5 kg (47.5 lbs)*
*weights are approximate and do not include packaging or flight case
 
 
 
MIDAS PRO1 I/O
Introduction
MIDAS digital systems provide a choice of Input/Output (I/O) options – from the fixed configuration DL251 stage box, to the highly acclaimed DL431 24 channel 5-way mic splitter. This allows users to optimise the system, depending on the application and requirements of their specific audio network.

With an audio system that is so incredibly flexible it allows the I/O units to be freely distributed into multiple locationss. In other words the units can be placed exactly where they are needed – on the stage, around the auditorium, at FoH or remotely in a broadcast truck. Once the I/O units are in the desired locationss the audio network can then be easily configurable to route signals from where and by when they are needed since the patching is done a scene-by-scene basis. Once the I/O units are in the desired locationss, the audio network can then be easily configured to route signals, since as patching is done a scene-by-scene basis.

For the user-configurable I/O units and local I/O on the rear of the PRO3, PRO6 and PRO9, there is a choice of different I/O cards. Options include a TRS jacket card and a D-sub card.

 

CopyRight © 2005-2019,All rights reserved.成都AG8亚游商貿有限公司 版權所有
聯係電話:028-86786315 13488949889 13198595297 地址:成都太升南路錦天國際288號C棟904號
蜀ICP備06002856號  [網站管理]
成都AG8亚游商貿有限公司提供專業舞台燈光音響設計及演唱會設備出租。