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    成都AG8亚游商貿有限公司成立餘2008年,是一家以器材銷售、工程設計、安裝調試、設備租賃為一體的專業音響銷售工程公司。主要從事演播室、會議廳、歌舞廳、多功能廳、影劇院、體育館的音響設計、安裝調試及設備供應和租賃等業務。

    本公司積極拓展中國市場,在中國大陸西部地區,成都AG8亚游商貿有限公司為甲方客戶提供了一流的設計及安裝調試,並在當地同行業中樹立了典範之形象案例。

Midas veniceU-32 調音台 模擬調音台

 

At first glance, VeniceU looks like a straightforward, easy-to-use analogue audio console. However, VeniceU continues MIDAS?engineering concept of a hybrid mixer offering a fusion of both analogue and digital technology.

The 揇igi-log?VeniceU is much more than a great-sounding, easy-to-use audio console. The VeniceUoffers wider accessibility to MIDAS Digi-log technology than ever before, representing an integrated audio mixing, recording and processing package.

At MIDAS, we know what it takes to design and build live sound consoles for the world抯 most demanding tours and installations. One look at the VeniceUconfirms that this console continues the legacy established by the ground-breaking MIDAS consoles which have been at the heart of so many historic live performances. From the VeniceU's class-leading EQ filters, to the latest expression of that legendary MIDAS mic pre, this is a console which compromises only on price.

The VeniceU抯 buss structure is identical to the larger VeniceF - six aux sends, four groups, stereo masters, discrete mono buss and a 7 x 2 matrix. All buss outputs feature XLR connectors and insert capability. All six aux sends are switchable pre or post fade, and the two aux busses designated as monitor (fold back) sends are also switchable pre/post EQ on an individual channel basis.

Mono Channels Feature the indispensable MIDAS mic pre, still crafted from discrete components, rather than cheaper IC options. The 20mm input gain is complimented by a quartet of switches, +48 V, -20 dB, polarity reverse and 80 Hz hi-pass filter.

Mono channels can be routed to all six aux busses, the four subgroups in odd/even pairs, left and right masters via pan control, and discrete mono master output. Superior quality 100mm faders give precise control over the mix, while providing that reassuringly tactile MIDAS touch.

EQ The equaliser section features four bands of superb MIDAS EQ, with swept filters on all four bands, an EQ in/out switch and LED status indicator. Additional switch functions with LED status indication are mute and solo. Metering is provided by a highly accurate four element LED display.

Multi-function Channels Have one mono mic, one stereo line, and a stereo USB input each. Each of the four multi-function channels feature separate gain for mono mic and stereo line inputs. They have the same mic amp functions as the mono channels, four-band fixed frequency MIDAS EQ with in/out switch and LED status indicator. Additional switch functions with LED status indication are for mute and solo. The stereo USB inputs are intended to be used for either stereo media playback, stereo digital FX returns, or submixes created in the DAW.

Multi-function channels can be routed to all six aux busses, the four subgroups in odd/even pairs, left, right and mono masters.

Auxiliary Sends The VeniceU has six aux busses, all of which are switchable pre or post-fade on a buss-by-buss basis. The first pair, designated as 搈onitor?mixes, are also switchable pre or post input channel EQ on an individual channel basis. This means that the input channels send to the monitors can be independent of the channel EQ.

All aux sends have master level rotary controls, mute and solo switches, and feature balanced XLR output connectors. The two 搈onitor?mix auxes are also equipped with single TRS insert points.

All six aux sends can be routed to the USB audio interface, facilitating their use as recording or FX sends in conjunction with a suitably equipped computer.

Sub Groups The VeniceU has four subgroups, all of which feature 100mm fader, mute and solo switches with LED status indication. All subgroups can be routed to the stereo master outputs via a pan control, and also independently to the mono master output and to the USB interface. A fader changeover switch is provided for each subgroup, facilitating the group and aux signal paths to be swapped.

All four subgroups feature balanced XLR output connectors and single TRS insert points.

Master Outputs A single 100mm fader controls the Left and Right outputs, which also have Mute and Solo switches with LED indication. A balance pot is provided for matching the L & R levels, and a switch for routing the L & R mix to the Mono output, which features 100mm fader and mute and solo switches.

All three master outputs feature balanced XLR output connectors and single TRS insert points.

Additional Inputs In addition to the four multi-function input channels, all VeniceU models feature two stereo returns. These extra channels have dual TRS inputs, rotary level control, mute and solo switches with LED status indication, and routing to groups and stereo masters. Individual level controls are also provided to send the aux inputs to the two aux sends designated as monitor mixes.

A stereo playback input is provided with level control, mute and solo switches. Connection is via phono connectors.

A talkback input with level control and switch is provided with routing switches to monitor 1&2, aux 1-4, and stereo masters.

Matrix The two-channel 7x2 output matrix has level controls which source from the four groups, Left, Right and Mono outputs. Each channel features level output control, mute and solo switches with LED indication. There are additional switches which split the L & R contributions to the matrix (default is a sum of L & R) and to send the matrix outputs to the USB interface instead of the L & R mix.

Both Matrix channels feature balanced XLR output connectors and single TRS insert points.

Solo System The VeniceU抯 solo system features separate level controls and mute switches for headphones and local monitor outputs, with PFL/AFL selection for input solos. Headphones output is via 紨 TRS socket conveniently placed on the surface of the console. Local monitor (L & R) outputs are available on XLR connectors located on the rear panel.

USB Digital Audio VeniceU抯 USB audio interface combines the power and convenience of digital audio processing with the warmth and feel of an analogue audio mixer. The USB interface can be used with any computer fitted with a USB port, and is effectively a 16-channel (8 x 8) digital audio buss, which connects directly to your computer and enables the use of most 3rd party audio processing software in conjunction with the console.

All six aux busses, four subgroups, both matrix busses and the stereo masters route to the USB interface, up to eight busses at one time. Applications include multi-track recording from the VeniceU抯 digital buss outputs, and 損lug-in?FX processors driven from aux sends and returned to the multi-function channels?digital USB inputs - all with a heart of pure MIDAS.

Hybrid VeniceU bridges the gap between analogue and digital audio consoles, and offers the user the ease-of-use, warmth, feel, and zero-latency of analogue, combined with the power, choice and flexibility of outboard digital processing 損lug-ins?

Software Although the USB interface will work with nearly all computer-based DAW audio processing software, included in every VeniceU package is a free 60-day trial version of REASON, by Propellerhead. This software suite includes multitrack recording (up to 64 tracks), virtual racks full of FX and dynamics processing, and even a software mixer. Demo recording and FX templates are provided for quick, easy orientation with the powerful functionality of the VeniceU抯 揇igi-log?capabilities.

Mechanical Many manufacturers cut quality when they design small mixers. At MIDAS we understand that modest channel count doesn抰 have to mean compromised performance and a poor feature set. The VeniceU embodies quality, from its rugged construction and top-of-the-range components through to the unmistakable MIDAS sound, it is obviously a truly professional audio console. The frame is of typical MIDAS steel construction, providing sufficient strength and rigidity for a hard life on the road. Potentiometers are metal-shafted, and individually secured to the steel fascia panel.

The VeniceU is finished in the well-loved, classic MIDAS 揌eritage?livery. The VeniceU16 can be used as a freestanding console or fixed into a 19?rack (11U) using the integral rack mount hardware. The rear connector panel rotates to facilitate easy connectivity in either orientation.

Overview

  • Frames: 16, 24, 32 (16 channel frame can be rack mounted in 11U)
  • Overload tolerant MIDAS mic pre with polarity switch, high pass filter and 20 dB pad
  • Individual phantom power for each mic input (including stereo channels)
  • The equaliser section features four bands of MIDAS EQ, with swept filters on all four bands and an EQ in/out switch
  • 8 input / 8 output USB digital audio interface - flexible routing options including six aux busses, four subgroups, both matrix busses and the stereo masters
  • Analogue or USB input select switch on 4 stereo input channels allowing 損lug-in?FX and multi-track record mix down
  • 6 auxes with individual buss pre/post fade switching and routing to USB
  • 7x2 matrix with stereo split switching and routing to USB
  • Multi-function channels have fully featured mic pre抯
  • Discrete stereo master buss with individual routing to USB plus discrete mono master buss
  • 4 audio subgroups with fader flip to auxes and routing to USB
  • Highly efficient integral auto-ranging switch mode power supply
  • Rugged, roadworthy, tour proven construction with 3 year warranty

VeniceU Quick stats:


VeniceU 32
Mic inputs: 28 mono XLRF
Line inputs: 24 mono plus 4 stereo TRS
Aux returns: 2 stereo TRS
Playback input: 1 stereo RCA
Talkback mic input: 1 XLRF
Aux mix busses: 6 XLRM
Audio subgroups: 4 XLRM
Matrix: 7 x 2 XLRM
Stereo master output: XLRM
Mono master output: XLRM
Record output: RCA
USB: 16ch ?8x8 USB 揂?/DIV>
Digital: 24-bit, 44.1 or 48 kHz
sampling rates
Dimensions and Weight:
H255mm/10.03?x D577mm/22.71?x W961mm/37.83?nbsp;
Weight 24kg/52.9lbs.
 

單聲道通道

不可或缺的Midas話筒前置放大器,依然由分離原件製作,而不是廉價的IC選項。20mm輸入增益配有4個開關---+48V-20dB,極性反轉和80Hz高通。

單聲道通道可以路由到所有的6個輔助母線,4個奇/偶的子編組,通過麵板控製的左右主控和獨立的單聲道主輸出。優質的100mm推子提供了高精度的混音控製和舒適的觸摸。

均衡器

均衡器部分具有四段極好的MIDAS均衡,所有的四段都具有掃頻濾波器,一個均衡輸入/輸出開關和LED狀態指示器。LED狀態指示的額外開關功能是啞音和solo。電平提供了高精度的4LED顯示。

多功能通道

一個單聲道話筒,一個立體聲線路和一個立體聲USB輸入。四個多功能通道中每個都具有獨立的增益,用於單聲道話筒放大器和立體聲線路輸入。他們與單聲道通道一樣,擁有同樣的話筒放大器功能,4段固定頻率,MIDAS均衡輸入/輸出開關和LED的啞音和solo狀態指示。立體聲USB輸入用於立體聲媒體回放,立體聲數字FX返回或DAW的子混音創作。

多功能通道可以路由到所有6個輔助母線,4個奇/偶的子編組以及左右單聲道主控。

輔助發送

Venice U具有6個輔助母線,所有這些基於母線與母線通道可切換為推子前或推子後,第一,設計成“監聽”混音,基於單個通道可以切換為輸入通道的EQ/EQ後。

所有輔助發送都有主電平旋轉控製,啞音和solo開關,具有平衡的XLR輸出連接器。兩個“監聽”混音輔助配有單個TRS插入點。

所有的6個輔助發送可以路由到USB音頻界麵,促進它們的用處,比如錄音或結合一台適當裝備的電腦的FX發送。

子編組

Venice U4個子編組,所有這些都具有100mm的推子,啞音和LED狀態指示燈的solo開關。所有子編組可以通過麵板控製路由到立體聲主輸出,也可以獨立到單聲道主輸出和USB界麵。為每個子編組提供的推子漸變開關,促進編組和輔助信號路徑交換。

所有的4個子編組具有平衡的XLR輸出連接器和單一的TRS插入點。

主輸出

單個100mm推子控製左右輸出,具有啞音和LED指示燈的solo開關,匹配L&R電平的平衡電位,L&R混音路由到單聲道輸出的開關,具有100mm推子和啞音以及solo開關。

所有的三個主輸出具有平衡的XLR輸出連接器和單個TRS插入點。

額外輸入

除了4個多功能輸入通道,所有的Venice U具有兩個立體聲返回。這些額外的通道有兩個TRS輸入,旋轉電平控製,啞音和LED狀態指示燈的solo開關,路由到編組和立體聲主控。獨立的電平控製可以發送輔助輸入到兩個用於監聽混音的輔助發送。

立體聲回放輸入提供電平控製,啞音和solo開關。通過留聲機連接器連接。

電平控製和開關的對講輸入提供路由開關到監聽1&2,輔助1-4和立體聲主控。

矩陣

雙通道7×2輸出矩陣具有電平控製,通道的音源來自4個編組,左右聲道和單聲道輸出。每個通道具有電平輸出控製,啞音和LED指示的solo開關。還有額外的開關,分離L&R輸出到矩陣(默認是L&R的總和),發送矩陣輸出到USB接口,而不是L&R混音。矩陣通道具有平衡的XLR輸出連接器和單一的TRS插入點。

SOLO係統

Venice Usolo係統具有獨立的電平控製和用於耳機的啞音開關和本地監聽輸出,輸入solosPFL/AFL選擇。耳機輸出是通過¼”TRS插座便利地放置在調音台表麵。本地監聽(L&R)輸出可用位於後麵板的XLR連接器。

USB數字音頻

Venice UUSB音頻接口結合處理能力和簡易的數字音頻處理,溫暖的音色和模擬音頻混音的觸感。USB接口可以和任何裝配有USB端口的電腦一起使用,它實際上是116通道(8×8)的數字音頻母線,與調音台連接可使用任意的第三方音頻處理軟件。

所有的6條輔助母線,4個子編組,矩陣母線和立體聲主控路由到USB接口,同時可路由高達8條母線。應用包括從Venice U的數字母線輸出進行多軌錄音,從輔助發送或直接輸出驅動的軟件產生FX處理器,嵌入到輸入通道發送/返回的“plug-in”。一切都具備MIDAS的純正音質。

VeniceU-24技術規格

話筒輸入: 28個單聲道XLRF

線路輸入: 24個單聲道加4個立體聲TRS

輔助返回: 2個立體聲TRS

回放輸入: 1個立體聲RCA

對講話筒輸入: 1 XLRF

輔助混音母線: 6 XLRM

音頻子編組: 4 XLRM

矩陣: 7 x 2 XLRM

立體聲主輸出:XLRM

單聲道主輸出:XLRM

錄音輸出:RCA

USB:16ch- 8x8 USB”A”

數字:24比特,44.1或48kHz采樣率

尺寸和重量:

高度255mm x深度577mm x寬度961mm

重量24kg

 

Midas veniceU-24 調音台 模擬調音台

 

VeniceU 24

Mic inputs: 20 mono XLRF
Line inputs: 16 mono plus 4 stereo TRS
Aux returns: 2 stereo TRS
Playback input: 1 stereo RCA
Talkback mic input: 1 XLRF
Aux mix busses: 6 XLRM
Audio subgroups: 4 XLRM
Matrix: 7 x 2 XLRM
Stereo master output   XLRM
Mono master output   XLRM
Record output:   RCA
USB: 16ch – 8x8 USB “A”
Digital: 24-bit, 44.1 or 48 kHz sampling rates  
 

Dimensions and Weight:

H255mm/10.03” x D577mm/22.71” x W760mm/29.92” Weight 20kg/44.1lbs.

產品介紹:
單聲道及立體聲輸入所有"威尼斯"(VENICE)調音台都有4個立體聲聲道,立體聲聲道可作立體信號源的輸入,或者單聲道的話筒輸入。無噪聲和極線性的VENICE前置放大器,提供話筒及線性輸入電平+22dB
48伏幻象電源,每聲道獨立開關選擇每一單聲道輸入都有直接輸出及插入點,便於連接外間處理器。
單聲道輸入有4段MIDAS著名均衡,固定高頻,帚形低頻,具有掃頻的兩段中頻。“威尼斯”(VENICE)有6個輔助輸送,即FX1,FX2,MON1,MON2,AUX1及AUX2。
編組及主控部分(部分功能)
綜合性主控部分包含2個全功能立體聲FX1和FX2控製,Monitor1和2,Auxsend 1和2等。
2個FX用以控製往效果器的電平。
2個監聽專用的Monitor send以推子準確地控製監聽輸出Aux send 1 和2當作監聽輸出或FX用時可獨立選推子前或推子後監聽。
4路高解象度LED電平表,用於顯示Monitor1和2及主控左右的電平。
4路次編組(Subgroup)可將信號發送到主控立體聲(左/右)輸出,或作獨立輸出。
2個耳機插座,耳機電平由phoness a/b控製,有10分貝額外增益立體聲主輸出,由單一推子控製,另有一balance(bal)控製,以平衡左右聲道Master B(主控B)提供另一獨立聲道或立體聲的主控製,立體聲時可用以控製其他分區,單聲道時可用作連接延時器或超低頻

技術規格:
16話筒/線路輸入
4立體聲線路/單聲道話筒輸入
4編組輸出
1立體聲主輸出/ 1單聲道主輸出
輸入阻抗:話筒 2KΩ平衡式線 20KΩ平衡式
輸入增益:話筒連續可調0dB至+60dB線(單聲道)連續可調-20dB至+40dB線(立體聲)連續可調調-10dB至+20dB線(電平輸入)0dB
最大輸入電平:話筒及線+22dBu
線 電平輸入(單聲道)+42dBu
線 電平輸入(立體聲)+22dBu
共模抑製(1kHz)話筒(+30dBu增益)>80dBu線 >40dBu
共模抑製(100Hz)
話筒(+30dB增益)>70dB
頻率響應(20Hz至20KHz)話筒至混聲(+60dB增益)+0dB至-1dB
噪聲(20Hz至20KHz)話筒-129dBu
失真(1KHz)<0.0007%
串音聲道之間<-80dB推子衰減>100dB
輸出阻抗線輸出75Ω平衡耳機驅動32Ω
最大輸出電平主輸出+25dBu線輸出+22dBu耳機+22dBu/600Ω
標稱信號電平話筒-60dBu至0dBu線0dBu
均衡(單聲道)高通濾波2階Butterworth,80Hz高頻±15dB,12Hz時(帚形)高中頻連續可調400Hz至8kHz±15dB中低頻連續可調100Hz至2KHz±15dB低頻80Hz±15dB(帚形)
均衡(立體聲)高頻12KHz±15dB(帚形)高中頻3KHz±15dB中低頻300Hz±15dB低頻80Hz±15dB(帚形)
尺寸(寬高深):698×568×194 mm
重量: VENICE 240:21.1kg

 

Midas veniceU-16 調音台 模擬調音台

 

 

At first glance, VeniceU looks like a straightforward, easy-to-use analogue audio console. However, VeniceU continues MIDAS?engineering concept of a hybrid mixer offering a fusion of both analogue and digital technology.

The 揇igi-log?VeniceU is much more than a great-sounding, easy-to-use audio console. The VeniceUoffers wider accessibility to MIDAS Digi-log technology than ever before, representing an integrated audio mixing, recording and processing package.

At MIDAS, we know what it takes to design and build live sound consoles for the world抯 most demanding tours and installations. One look at the VeniceUconfirms that this console continues the legacy established by the ground-breaking MIDAS consoles which have been at the heart of so many historic live performances. From the VeniceU's class-leading EQ filters, to the latest expression of that legendary MIDAS mic pre, this is a console which compromises only on price.

The VeniceU抯 buss structure is identical to the larger VeniceF - six aux sends, four groups, stereo masters, discrete mono buss and a 7 x 2 matrix. All buss outputs feature XLR connectors and insert capability. All six aux sends are switchable pre or post fade, and the two aux busses designated as monitor (fold back) sends are also switchable pre/post EQ on an individual channel basis.

Mono Channels Feature the indispensable MIDAS mic pre, still crafted from discrete components, rather than cheaper IC options. The 20mm input gain is complimented by a quartet of switches, +48 V, -20 dB, polarity reverse and 80 Hz hi-pass filter.

Mono channels can be routed to all six aux busses, the four subgroups in odd/even pairs, left and right masters via pan control, and discrete mono master output. Superior quality 100mm faders give precise control over the mix, while providing that reassuringly tactile MIDAS touch.

EQ The equaliser section features four bands of superb MIDAS EQ, with swept filters on all four bands, an EQ in/out switch and LED status indicator. Additional switch functions with LED status indication are mute and solo. Metering is provided by a highly accurate four element LED display.

Multi-function Channels Have one mono mic, one stereo line, and a stereo USB input each. Each of the four multi-function channels feature separate gain for mono mic and stereo line inputs. They have the same mic amp functions as the mono channels, four-band fixed frequency MIDAS EQ with in/out switch and LED status indicator. Additional switch functions with LED status indication are for mute and solo. The stereo USB inputs are intended to be used for either stereo media playback, stereo digital FX returns, or submixes created in the DAW.

Multi-function channels can be routed to all six aux busses, the four subgroups in odd/even pairs, left, right and mono masters.

Auxiliary Sends The VeniceU has six aux busses, all of which are switchable pre or post-fade on a buss-by-buss basis. The first pair, designated as 搈onitor?mixes, are also switchable pre or post input channel EQ on an individual channel basis. This means that the input channels send to the monitors can be independent of the channel EQ.

All aux sends have master level rotary controls, mute and solo switches, and feature balanced XLR output connectors. The two 搈onitor?mix auxes are also equipped with single TRS insert points.

All six aux sends can be routed to the USB audio interface, facilitating their use as recording or FX sends in conjunction with a suitably equipped computer.

Sub Groups The VeniceU has four subgroups, all of which feature 100mm fader, mute and solo switches with LED status indication. All subgroups can be routed to the stereo master outputs via a pan control, and also independently to the mono master output and to the USB interface. A fader changeover switch is provided for each subgroup, facilitating the group and aux signal paths to be swapped.

All four subgroups feature balanced XLR output connectors and single TRS insert points.

Master Outputs A single 100mm fader controls the Left and Right outputs, which also have Mute and Solo switches with LED indication. A balance pot is provided for matching the L & R levels, and a switch for routing the L & R mix to the Mono output, which features 100mm fader and mute and solo switches.

All three master outputs feature balanced XLR output connectors and single TRS insert points.

Additional Inputs In addition to the four multi-function input channels, all VeniceU models feature two stereo returns. These extra channels have dual TRS inputs, rotary level control, mute and solo switches with LED status indication, and routing to groups and stereo masters. Individual level controls are also provided to send the aux inputs to the two aux sends designated as monitor mixes.

A stereo playback input is provided with level control, mute and solo switches. Connection is via phono connectors.

A talkback input with level control and switch is provided with routing switches to monitor 1&2, aux 1-4, and stereo masters.

Matrix The two-channel 7x2 output matrix has level controls which source from the four groups, Left, Right and Mono outputs. Each channel features level output control, mute and solo switches with LED indication. There are additional switches which split the L & R contributions to the matrix (default is a sum of L & R) and to send the matrix outputs to the USB interface instead of the L & R mix.

Both Matrix channels feature balanced XLR output connectors and single TRS insert points.

Solo System The VeniceU抯 solo system features separate level controls and mute switches for headphones and local monitor outputs, with PFL/AFL selection for input solos. Headphones output is via 紨 TRS socket conveniently placed on the surface of the console. Local monitor (L & R) outputs are available on XLR connectors located on the rear panel.

USB Digital Audio VeniceU抯 USB audio interface combines the power and convenience of digital audio processing with the warmth and feel of an analogue audio mixer. The USB interface can be used with any computer fitted with a USB port, and is effectively a 16-channel (8 x 8) digital audio buss, which connects directly to your computer and enables the use of most 3rd party audio processing software in conjunction with the console.

All six aux busses, four subgroups, both matrix busses and the stereo masters route to the USB interface, up to eight busses at one time. Applications include multi-track recording from the VeniceU抯 digital buss outputs, and 損lug-in?FX processors driven from aux sends and returned to the multi-function channels?digital USB inputs - all with a heart of pure MIDAS.

Hybrid VeniceU bridges the gap between analogue and digital audio consoles, and offers the user the ease-of-use, warmth, feel, and zero-latency of analogue, combined with the power, choice and flexibility of outboard digital processing 損lug-ins?

Software Although the USB interface will work with nearly all computer-based DAW audio processing software, included in every VeniceU package is a free 60-day trial version of REASON, by Propellerhead. This software suite includes multitrack recording (up to 64 tracks), virtual racks full of FX and dynamics processing, and even a software mixer. Demo recording and FX templates are provided for quick, easy orientation with the powerful functionality of the VeniceU抯 揇igi-log?capabilities.

Mechanical Many manufacturers cut quality when they design small mixers. At MIDAS we understand that modest channel count doesn抰 have to mean compromised performance and a poor feature set. The VeniceU embodies quality, from its rugged construction and top-of-the-range components through to the unmistakable MIDAS sound, it is obviously a truly professional audio console. The frame is of typical MIDAS steel construction, providing sufficient strength and rigidity for a hard life on the road. Potentiometers are metal-shafted, and individually secured to the steel fascia panel.

The VeniceU is finished in the well-loved, classic MIDAS 揌eritage?livery. The VeniceU16 can be used as a freestanding console or fixed into a 19?rack (11U) using the integral rack mount hardware. The rear connector panel rotates to facilitate easy connectivity in either orientation.

Overview

  • Frames: 16, 24, 32 (16 channel frame can be rack mounted in 11U)
  • Overload tolerant MIDAS mic pre with polarity switch, high pass filter and 20 dB pad
  • Individual phantom power for each mic input (including stereo channels)
  • The equaliser section features four bands of MIDAS EQ, with swept filters on all four bands and an EQ in/out switch
  • 8 input / 8 output USB digital audio interface - flexible routing options including six aux busses, four subgroups, both matrix busses and the stereo masters
  • Analogue or USB input select switch on 4 stereo input channels allowing 損lug-in?FX and multi-track record mix down
  • 6 auxes with individual buss pre/post fade switching and routing to USB
  • 7x2 matrix with stereo split switching and routing to USB
  • Multi-function channels have fully featured mic pre抯
  • Discrete stereo master buss with individual routing to USB plus discrete mono master buss
  • 4 audio subgroups with fader flip to auxes and routing to USB
  • Highly efficient integral auto-ranging switch mode power supply
  • Rugged, roadworthy, tour proven construction with 3 year warranty

VeniceU Quick stats:

VeniceU 16

Mic inputs: 12 mono XLRF
Line inputs: 8 mono plus 4 stereo TRS
Aux returns: 2 stereo TRS
Playback input: 1 stereo RCA
Talkback mic input: 1 XLRF
Aux mix busses: 6 XLRM
Audio subgroups: 4 XLRM
Matrix: 7 x 2 XLRM
Stereo master output   XLRM
Mono master output:   XLRM
Record output:   RCA
USB: 16ch ?8x8  
Digital: 24-bit, 44.1 or 48 kHz sampling rates
   

Dimensions and Weight:

H255mm/10.03?x D577mm/22.71?x W552mm/21.72?Weight 16kg/35.3lbs.

 


 

單聲道通道

不可或缺的Midas話筒前置放大器,依然由分離原件製作,而不是廉價的IC選項。20mm輸入增益配有4個開關---+48V-20dB,極性反轉和80Hz高通。

單聲道通道可以路由到所有的6個輔助母線,4個奇/偶的子編組,通過麵板控製的左右主控和獨立的單聲道主輸出。優質的100mm推子提供了高精度的混音控製和舒適的觸摸。

均衡器

均衡器部分具有四段極好的MIDAS均衡,所有的四段都具有掃頻濾波器,一個均衡輸入/輸出開關和LED狀態指示器。LED狀態指示的額外開關功能是啞音和solo。電平提供了高精度的4LED顯示。

多功能通道

一個單聲道話筒,一個立體聲線路和一個立體聲USB輸入。四個多功能通道中每個都具有獨立的增益,用於單聲道話筒放大器和立體聲線路輸入。他們與單聲道通道一樣,擁有同樣的話筒放大器功能,4段固定頻率,MIDAS均衡輸入/輸出開關和LED的啞音和solo狀態指示。立體聲USB輸入用於立體聲媒體回放,立體聲數字FX返回或DAW的子混音創作。

多功能通道可以路由到所有6個輔助母線,4個奇/偶的子編組以及左右單聲道主控。

輔助發送

Venice U具有6個輔助母線,所有這些基於母線與母線通道可切換為推子前或推子後,第一,設計成“監聽”混音,基於單個通道可以切換為輸入通道的EQ/EQ後。

所有輔助發送都有主電平旋轉控製,啞音和solo開關,具有平衡的XLR輸出連接器。兩個“監聽”混音輔助配有單個TRS插入點。

所有的6個輔助發送可以路由到USB音頻界麵,促進它們的用處,比如錄音或結合一台適當裝備的電腦的FX發送。

子編組

Venice U4個子編組,所有這些都具有100mm的推子,啞音和LED狀態指示燈的solo開關。所有子編組可以通過麵板控製路由到立體聲主輸出,也可以獨立到單聲道主輸出和USB界麵。為每個子編組提供的推子漸變開關,促進編組和輔助信號路徑交換。

所有的4個子編組具有平衡的XLR輸出連接器和單一的TRS插入點。


主輸出

單個100mm推子控製左右輸出,具有啞音和LED指示燈的solo開關,匹配L&R電平的平衡電位,L&R混音路由到單聲道輸出的開關,具有100mm推子和啞音以及solo開關。

所有的三個主輸出具有平衡的XLR輸出連接器和單個TRS插入點。

額外輸入

除了4個多功能輸入通道,所有的Venice U具有兩個立體聲返回。這些額外的通道有兩個TRS輸入,旋轉電平控製,啞音和LED狀態指示燈的solo開關,路由到編組和立體聲主控。獨立的電平控製可以發送輔助輸入到兩個用於監聽混音的輔助發送。

立體聲回放輸入提供電平控製,啞音和solo開關。通過留聲機連接器連接。

電平控製和開關的對講輸入提供路由開關到監聽1&2,輔助1-4和立體聲主控。

矩陣

雙通道7×2輸出矩陣具有電平控製,通道的音源來自4個編組,左右聲道和單聲道輸出。每個通道具有電平輸出控製,啞音和LED指示的solo開關。還有額外的開關,分離L&R輸出到矩陣(默認是L&R的總和),發送矩陣輸出到USB接口,而不是L&R混音。矩陣通道具有平衡的XLR輸出連接器和單一的TRS插入點。

SOLO係統

Venice Usolo係統具有獨立的電平控製和用於耳機的啞音開關和本地監聽輸出,輸入solosPFL/AFL選擇。耳機輸出是通過¼”TRS插座便利地放置在調音台表麵。本地監聽(L&R)輸出可用位於後麵板的XLR連接器。

USB數字音頻

Venice UUSB音頻接口結合處理能力和簡易的數字音頻處理,溫暖的音色和模擬音頻混音的觸感。USB接口可以和任何裝配有USB端口的電腦一起使用,它實際上是116通道(8×8)的數字音頻母線,與調音台連接可使用任意的第三方音頻處理軟件。

所有的6條輔助母線,4個子編組,矩陣母線和立體聲主控路由到USB接口,同時可路由高達8條母線。應用包括從Venice U的數字母線輸出進行多軌錄音,從輔助發送或直接輸出驅動的軟件產生FX處理器,嵌入到輸入通道發送/返回的“plug-in”。一切都具備MIDAS的純正音質。

VeniceU-24技術規格

話筒輸入: 16個單聲道XLRF

線路輸入: 8個單聲道加4個立體聲TRS

輔助返回: 2個立體聲TRS

回放輸入: 1個立體聲RCA

對講話筒輸入: 1 XLRF

輔助混音母線: 6 XLRM

音頻子編組: 4 XLRM

矩陣: 7 x 2 XLRM

立體聲主輸出:XLRM

單聲道主輸出:XLRM

錄音輸出:RCA

USB:24ch- 8x8 USB”A”

數字:24比特,44.1或48kHz采樣率

尺寸和重量:

高度255mm/10.03” x深度577mm /22.71”x寬度552mm/21.72”

重量16kg/35.3

 

Midas venicef-32 調音台 模擬調音台

 

More Midas products

VENICE-F32

One look at the VeniceF confirms that this console is continuing the legacy established by the groundbreaking XL3 and XL4 consoles, then consolidated in the industry-leading Heritage series. From the VeniceF’s horizontal fader panel, through the class-leading parametric EQ filters, to the latest expression of that legendary Midas mic pre, this is a console without compromise. Features are apparent everywhere, some of which are unheard of on consoles of this modest footprint.

The bus structure remains true to the original Venice concept. Six aux sends, four groups and stereo masters. The F model adds an additional mono bus and a 7 x 2 matrix. All bus outputs feature XLR connectors and insert capability. Routing options have been expanded from the outgoing model too. VeniceF has individual routing to groups, all six aux sends are individually switchable pre or post fade, and the two aux buses designated as monitor (foldback) sends are also switchable pre/post EQ on an individual channel basis.

Although specifically designed for live sound, the audio performance, and the addition of a FireWire digital audio interface mean that the VeniceF is equally at home in recording and remixing applications.

MIDAS Venice F 32 Features:

  • Overload tolerant Midas mic-pre
  • Up to 32x32ch. FireWire interface
  • XL3 EQ - four-band swept eq with two parametric mids
  • Input polarity switch
  • Insert in/out switch with LED
  • Direct out with pre/post EQ switch
  • Discrete mono bus
  • Individual routing to stereo, mono, and groups with pan-to-groups enable switch
  • 7x2 matrix
  • 4 audio subgroups
  • 100mm faders

MIDAS Venice F 32 Specifications:

  • Mic inputs: 24 mono plus 4 stereo (XLRF)
  • Line input: 24 mono plus 4 stereo (TRS)
  • Aux returns: 2 stereo (TRS)
  • Playback input: 1 stereo (RCA)
  • Talkback mic input: 1 (XLRF)
  • Aux mix busses: 6 (XLRM)
  • Audio subgroups: 4 (XLRM)
  • Matrix: 7 x 2 (XLRM)
  • Stereo master output: XLRM
  • Mono master output: XLRM
  • FireWire: FW400 (6 pin)
  • Dimensions: 39.64" x 26.35" x 11.27"
  • Venicef不僅僅是最好的緊湊現場調音台,他更是一個完全繼承了音頻混音,錄音和處理功能的強大平台。
          Midas懂得如何為世界上要求最高的巡演和固定安裝市場設計和製造現場擴聲調音台。隻需看看Venicef,您就知道他繼續書寫著Midas的傳奇,這個傳奇由突破性的XL3和XL4開始,並由在行業處於領先地位的Heritage係列得以進一步鞏固。
        從Venicef的水平推子麵板,高級的EQ參數濾波器,到最新先進的具有傳奇色彩的Midas話筒前置放大器,可以看出這張調音台麵麵俱到。特性無處不在,甚至有些是在這類小型的調音台中聞所未聞的。
     
     
    ——Alex Cooper設計,超寬動態的Midas話筒前置放大器帶極性轉換開關,高通濾波和20db衰減。
     
    ——選擇開關或火線輸入模擬信號通道,為所有的麥克風通道提供虛擬聲檢查和記錄。
     
    ——每個帶獨立的幻想電源的話筒輸入,包括立體聲通道。
     
    ——立體聲通道具有特別的話筒前置放大器帶獨立的左右增益控製。
     
    ——模擬和Fire Wire直接輸出帶前/後均衡器的開關。
     
    ——7*2矩陣帶立體聲分配交換和路由到Fire Wire的功能。
     
    ——4個推子具有可切換到輔助輸出的音頻編組和路由到Fire Wire的功能。
     
    ——獨立的立體聲主母線可以單獨路由到Fire Wire和獨立的單聲道主母線。
     
    ——業界聞名的4段Midas掃頻均衡器包括全參量高中和低中濾波器。
     
    ——6個獨立輔助母線推子前/後轉換及路由到Fire Wire。
     
    ——32路輸入/32路輸出24Bit Fire Wire數字音頻界麵,靈活的路由選擇包括了直接輸入和母線輸入。

 

Midas Venicef-24 調音台 模擬調音台

 

Description

Midas knows what it takes to design and build live sound consoles for the worldâ™s most demanding tours and installations. One look at the VeniceF confirms that this console is continuing the legacy established by the groundbreaking XL3 and XL4 consoles, then consolidated in the industry-leading Heritage series. From the VeniceFâ™s horizontal fader panel, through the class-leading parametric EQ filters, to the latest expression of that legendary Midas mic pre, this is a console without compromise. Features are apparent everywhere, some of which are unheard of on consoles of this modest footprint.

The bus structure remains true to the original Venice concept. Six aux sends, four groups and stereo masters. The F model adds an additional mono bus and a 7 x 2 matrix. All bus outputs feature XLR connectors and insert capability. Routing options have been expanded from the outgoing model too. VeniceF has individual routing to groups, all six aux sends are individually switchable pre or post fade, and the two aux buses designated as monitor (foldback) sends are also switchable pre/post EQ on an individual channel basis.

Although specifically designed for live sound, the audio performance, and the addition of a FireWire digital audio interface mean that the VeniceF is equally at home in recording and remixing applications.

Features/Specs

  • All-new Alex Cooper mic pre
  • XL3 EQ â“ four-band swept eq with two parametric mids
  • Input polarity switch
  • Insert in/out switch with LED
  • Direct out with pre/post EQ switch
  • Discrete mono bus
  • Individual routing to stereo, mono and groups with pan-to-groups enable switch
  • 32 x 32 channel FireWire interface
  • 100mm faders
  • 3 year warranty
 Venicef不僅僅是最好的緊湊現場調音台,他更是一個完全繼承了音頻混音,錄音和處理功能的強大平台。
       Midas懂得如何為世界上要求最高的巡演和固定安裝市場設計和製造現場擴聲調音台。隻需看看Venicef,您就知道他繼續書寫著Midas的傳奇,這個傳奇由突破性的XL3和XL4開始,並由在行業處於領先地位的Heritage係列得以進一步鞏固。
       從Venicef的水平推子麵板,高級的EQ參數濾波器,到最新先進的具有傳奇色彩的Midas話筒前置放大器,可以看出這張調音台麵麵俱到。特性無處不在,甚至有些是在這類小型的調音台中聞所未聞的。
 
 
——Alex Cooper設計,超寬動態的Midas話筒前置放大器帶極性轉換開關,高通濾波和20db衰減。
 
——選擇開關或火線輸入模擬信號通道,為所有的麥克風通道提供虛擬聲檢查和記錄。
 
——每個帶獨立的幻想電源的話筒輸入,包括立體聲通道。
 
——立體聲通道具有特別的話筒前置放大器帶獨立的左右增益控製。
 
——模擬和Fire Wire直接輸出帶前/後均衡器的開關。
 
——7*2矩陣帶立體聲分配交換和路由到Fire Wire的功能。
 
——4個推子具有可切換到輔助輸出的音頻編組和路由到Fire Wire的功能。
 
——獨立的立體聲主母線可以單獨路由到Fire Wire和獨立的單聲道主母線。
 
——業界聞名的4段Midas掃頻均衡器包括全參量高中和低中濾波器。
 
——6個獨立輔助母線推子前/後轉換及路由到Fire Wire。
 
——24路輸入/24路輸出24Bit Fire Wire數字音頻界麵,靈活的路由選擇包括了直接輸入和母線輸入。

 

Midas Venicef-16 調音台 模擬調音台

 

More Midas products

VENICE-F16

One look at the VeniceF confirms that this console is continuing the legacy established by the groundbreaking XL3 and XL4 consoles, then consolidated in the industry-leading Heritage series. From the VeniceF’s horizontal fader panel, through the class-leading parametric EQ filters, to the latest expression of that legendary Midas mic pre, this is a console without compromise. Features are apparent everywhere, some of which are unheard of on consoles of this modest footprint.

The bus structure remains true to the original Venice concept. Six aux sends, four groups and stereo masters. The F model adds an additional mono bus and a 7 x 2 matrix. All bus outputs feature XLR connectors and insert capability. Routing options have been expanded from the outgoing model too. VeniceF has individual routing to groups, all six aux sends are individually switchable pre or post fade, and the two aux buses designated as monitor (foldback) sends are also switchable pre/post EQ on an individual channel basis.

Although specifically designed for live sound, the audio performance, and the addition of a FireWire digital audio interface mean that the VeniceF is equally at home in recording and remixing applications.

Features:

  • Overload tolerant Midas mic-pre
  • Up to 32x32ch. FireWire interface
  • XL3 EQ - four-band swept eq with two parametric mids
  • Input polarity switch
  • Insert in/out switch with LED
  • Direct out with pre/post EQ switch
  • Discrete mono bus
  • Individual routing to stereo, mono, and groups with pan-to-groups enable switch
  • 7x2 matrix
  • 4 audio subgroups
  • 100mm faders

Specifications:

  • Mic inputs: 8 mono plus 4 stereo (XLRF)
  • Line input: 8 mono plus 4 stereo (TRS)
  • Aux returns: 2 stereo (TRS)
  • Playback input: 1 stereo (RCA)
  • Talkback mic input: 1 (XLRF)
  • Aux mix busses: 6 (XLRM)
  • Audio subgroups: 4 (XLRM)
  • Matrix: 7 x 2 (XLRM)
  • Stereo master output: XLRM
  • Mono master output: XLRM
  • FireWire: FW400 (6 pin)
  • Dimensions: 23.58 x 26.35 x 11.27 inches
  • Venicef不僅僅是最好的緊湊現場調音台,他更是一個完全繼承了音頻混音,錄音和處理功能的強大平台。
         Midas懂得如何為世界上要求最高的巡演和固定安裝市場設計和製造現場擴聲調音台。隻需看看Venicef,您就知道他繼續書寫著Midas的傳奇,這個傳奇由突破性的XL3和XL4開始,並由在行業處於領先地位的Heritage係列得以進一步鞏固。
     
    從Venicef的水平推子麵板,高級的EQ參數濾波器,到最新先進的具有傳奇色彩的Midas話筒前置放大器,可以看出這張調音台麵麵俱到。特性無處不在,甚至有些是在這類小型的調音台中聞所未聞的。
     
     
    ——Alex Cooper設計,超寬動態的Midas話筒前置放大器帶極性轉換開關,高通濾波和20db衰減。
     
    ——選擇開關或火線輸入模擬信號通道,為所有的麥克風通道提供虛擬聲檢查和記錄。
     
    ——每個帶獨立的幻想電源的話筒輸入,包括立體聲通道。
     
    ——立體聲通道具有特別的話筒前置放大器帶獨立的左右增益控製。
     
    ——模擬和Fire Wire直接輸出帶前/後均衡器的開關。
     
    ——7*2矩陣帶立體聲分配交換和路由到Fire Wire的功能。
     
    ——4個推子具有可切換到輔助輸出的音頻編組和路由到Fire Wire的功能。
     
    ——獨立的立體聲主母線可以單獨路由到Fire Wire和獨立的單聲道主母線。
     
    ——業界聞名的4段Midas掃頻均衡器包括全參量高中和低中濾波器。
     
    ——6個獨立輔助母線推子前/後轉換及路由到Fire Wire。
     
    ——16路輸入/16路輸出24Bit Fire Wire數字音頻界麵,靈活的路由選擇包括了直接輸入和母線輸入。

 

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